Elgamal, A., Abd Manaf, D. (2024). Women in Transit: Hybridity in Selected Short Stories from Leila Aboulela's Collection Elsewhere, Home. CDELT Occasional Papers in the Development of English Education, 86(1), 3-27. doi: 10.21608/opde.2024.362811
Abeer Mostafa Elgamal; Doaa Mahmoud Saeed Abd Manaf. "Women in Transit: Hybridity in Selected Short Stories from Leila Aboulela's Collection Elsewhere, Home". CDELT Occasional Papers in the Development of English Education, 86, 1, 2024, 3-27. doi: 10.21608/opde.2024.362811
Elgamal, A., Abd Manaf, D. (2024). 'Women in Transit: Hybridity in Selected Short Stories from Leila Aboulela's Collection Elsewhere, Home', CDELT Occasional Papers in the Development of English Education, 86(1), pp. 3-27. doi: 10.21608/opde.2024.362811
Elgamal, A., Abd Manaf, D. Women in Transit: Hybridity in Selected Short Stories from Leila Aboulela's Collection Elsewhere, Home. CDELT Occasional Papers in the Development of English Education, 2024; 86(1): 3-27. doi: 10.21608/opde.2024.362811
Women in Transit: Hybridity in Selected Short Stories from Leila Aboulela's Collection Elsewhere, Home
1Assistant professor of English Literature Department of Foreign Languages, Faculty of Education, Mansours University
2Lecturer of English Literature Department of Foreign Languages, Faculty of Education, Mansours University
Abstract
Leila Aboulela's Short Story collection, Elsewhere, Home unveils a rich tapestry of narratives where, characters-primarily immigrants from Arab countries to the West- grapple with the complexities of cultural hybridity amidst displacement. Aboulela's own experiences as a migrant are detected in the nuanced portrayals of hybridity in some female protagonists, as they negotiate their identities in transnational spaces and confront the challenges of reconciling their roots with the allure of new opportunities and societal expectations. Against the backdrop of prevailing Western stereotypes about Africa and Islam, Aboulela's characters resist reductionist portrayals, asserting their agency and dignity. They reflect the author's own quest to articulate the richness of her Sudanese heritage amid cultural misconceptions and anti-Islamic sentiments. Through the lens of postcolonial theory, this study examines how the characters navigate the liminal spaces of hybridity, negotiating between Eastern and Western cultures. The paper starts with a brief exploration of the term “hybridity” and its development into a key term in Homi Bhabha’s post-colonial theory. Central to the analysis is whether Aboulela's female characters assimilate fully into the dominant culture or choose to uphold their cultural distinctiveness, embracing the in-betweenness of their existence "Elsewhere." Echoing Bhabha's notion of the post-colonial immigrants’ dilemma, the narratives embody moments of transit where space and time intersect, giving rise to complex identities and negotiations of inclusion and exclusion and offering glimpses into the fluidity of cultural boundaries inviting readers to contemplate the intricacies of migration, belonging, and the perpetual negotiation of self in a globalized world.
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